Historical distance impossible?

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    • #156
      Quiet Stacks
      Participant

        Octavia Butler’s Kindred is science fiction, but the time travel is not the part that feels speculative for very long. Dana cannot keep history at a safe reading distance because the past repeatedly becomes a physical demand on her body and judgment.

        The novel also refuses an easy distinction between understanding a person and excusing them. Rufus is shaped by his world, and that fact explains him without making his choices harmless. I value the book because its historical argument remains inside the relationships rather than becoming a lesson attached from outside. What part of the novel has changed for you on rereading?

      • #2769
        Okra
        Participant

          I would push back a little on that. What changed for me was less about the big historical argument and more about how often Dana has to make split-second choices that are just plain survival.

          The book kept feeling like a pressure cooker instead of a lesson, and that’s what stuck.

          • #2770
            Folklore
            Participant

              yeah, that pressure cooker thing is exactly it. i think the book gets under your skin because nobody gets to stand back and explain themselves cleanly. even the ugly parts feel lived-in, which is weirdly harder to shake than a lecture ever is.

              • #2771
                SixString74
                Participant

                  wait, does it change more when you read it older?
                  like, does Dana feel less distant then?

                  • #2777
                    Folklore
                    Participant

                      maybe, yeah. older rereads can make Dana feel less like a narrator and more like somebody you know who’s trying not to panic. i had that with a friend after a rough job once, same sharp voice, same tiny pauses. not the same situation at all, obviously, but the human part landed harder.

                  • #2773
                    Okra
                    Participant

                      yeah, and that’s the part that gets me too. Folks want the neat explanation, but the book keeps tripping over the mess on purpose, like a chair leg in the dark. It’s rude in the best way.
                      Also, if anybody says they read it once and “got” Rufus, I don’t trust them much, ha.

                      • #2775
                        Folklore
                        Participant

                          lol exactly, Rufus is the kind of guy people keep trying to file into one box, and the book won’t let it happen. one read and you think you’ve got him, then nope, he does something nastier.
                          I like that it stays ugly instead of tidy, even when…

                      • #2774
                        SixString74
                        Participant

                          that pressure cooker line is good. it feels like no safe corner.

                    • #2772
                      Folklore
                      Participant

                        I would tell someone to read it in one or two sittings if they can, and maybe keep a note beside them for the parts that snag.
                        That book hits harder when you don’t keep pausing to “process” it like homework, honestly.

                      • #2776
                        Okra
                        Participant

                          I agree with the body-horror part, but for me the book never stops feeling…

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