[Strange Drafts]

i like this a lot, honestly.

The breathing part especially feels real to me, even in a totally different practice.

[Strange Drafts]

yes, exactly, though I’d add that the map can still matter if the school is honest about what it is. A form may not prove fighting skill, but it can preserve footwork, rhythm, or a particular way of recovering balance after a mistake. The trouble is when people skip the hard bridge between solo pattern and partner pressure.

[Strange Drafts]

That is the best description of a raga I have heard all week.

[Strange Drafts]

I think Ariyakudi is often described as the earlier school rather than simply the older line, if that distinction helps. The useful part of your list is the contrast between a more architected approach and one that lets the raga breathe wider.

And yes, Kambhoji can make a…

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